Guitars and Timbres

Comparing instruments is an easy way to think about timbre. Both pianos and guitars create sound by striking a string, and they can easily be amplified with

“Phonetic gestures underlying guitar timbre perception”, Caroline Traube, perceptual dimensions of the classical guitar timbre space and can

nate the different strokes, vocal imitation of guitar timbres could . Figure 6: Phonetic gestures underlying guitar timbre description

Extending the Karplus- Strong Algorithm to Synthesize Electric Guitar Timbres with Distortion and Feedback tual algorithm, the initial random values are

By no means corrupted by stage or studio performance, she took advantage of these new experiences to explore the sound of guitars, vocal timbres on

“Using a few different guitars and timbres over the course of a set has always felt natural to me. I don’t think it’s much different than a brass player

I) Pop Bands and Instrumental Timbres. Typical Combinations. ˇ Classic Rock - 2 guitars [1 lead and 1 rhythm], electric bass and drums vocalist.

Totally uncorrupted by stage or studio performance, she takes advantage of these new experiences to explore the sound of guitars, vocal timbres on different

A stimulus space was derived that comprised the three most salient dimensions on which the guitar timbres varied. Additionally, 57 listeners made direct

amongst echoes of Genesis and Camel, a wide use of mellotron, Hackett-like guitars, vintage timbres, time changes, themes lead by a classic piano,

When the aperture is uncovered the timbre of the improved guitar has close to that of the original guitar without the divider. When the aperture is filly

analyze and synthesize the timbre of stringed mzlsical. instruments, especially electric bass guitars and. pianos. The structure of harmonics' elements on

Guitars, moog timbres and saxophones combined with drums, complex passages and tempos, and reminds a little of the seventies Canterbury British school of

(a) to provide an adjustable accessory that can change the timbre of guitar or bass strings to emulate the sounds of a sitar, santur, tamboura,

"The Pristine Claw" features two intertwined guitars whose timbres more resemble harp or dulcimer' while the galumphing, discordant waltz of "Scatterbraine"

Hence, the timbres of the two. guitars are distinguishably different. We use two digital filter. designs to transform the electric guitar tones to resemble

These pieces explore texture and timbres from straight-up classical guitar to the extended techniques of spectralist Tristan Murail; a piece for acoustic

Biscardi achieves this effect by writing simultaneously sounded unison pitches on different frets and strings for both guitars with contrasting timbres of

In the 1960s and 1970s, roundwound bass strings similar to guitar strings became popular. Roundwounds have a brighter timbre with greater sustain than

The electric guitar differs from the acoustic one structurally and in the way the final acoustic radiation is produced. Hence, the timbres of the two

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